The fog of war, coined by Carl von Clausewitz in his seminal work On War, describes the uncertainty experienced by members of armed forces in military operations.
Layers of rotoscope animation strip the footage of the protests of its content, laying bare the violence that has become an intrinsic part of this new public space.
In face of all those, the open fields behind my parents’ moshav have become a refuge; the same vistas I sought to leave behind, crammed with memories, have become easier to wander about in with a camera in my hands, re-examining fears, black holes and truths, and trying all the while to reclaim a sense of home.